Just before Christmas I was surprised to see Death Comes to Pemberley by P.D. James on the New York Times bestseller list. I’d heard nothing about it coming out—a December drop-in from Knopf? —and as one of my colleagues said, it sounded delicious: a murder mystery sequel to Pride and Prejudice. I downloaded immediately.
Of course no one can imitate Jane Austen, but James gives it a go. After a too-long, dialogue-less beginning of imitation Austen, I almost threw up my hands. Then James turned to 19th century English law, the courts, a legal drama, which is what she does best. Nice twisty ending, and a fun cameo by characters from another Austen novel I won’t spoil.
Which got me thinking: when I love a novel as much as I do P&P (or Henry James’s The Portrait of a Lady or Emily Brontë’s Wuthering Heights, all of which I’ve read several times), I keep longing to have that first experience again. That’s actually the highest compliment that I can pay a book: I wish I could read it for the first time again. And writers must feel it too; why else attempt prequels, sequels and the like of famous beloved novels that can never be duplicated?
James’s Pemberly did evoke Austen, and made me want to read P&P again too. After all, it spawned an entire genre of novels that follow the drama of making a marriage—what we now call romance, women’s fiction, chick-lit. But even though Austen can’t be bested, I’ll still give anyone a shot who tries. And on that note, can’t wait for the second part of Downton Abbey to begin….
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